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"Dance O' Child Of God"
Read the inspiration behind the songs
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Music
Credits
Read the lyrics to the songs from "Dance
O' Child Of God" by clicking here: Song Lyrics
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You can purchase this CD using the information
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with your name, mailing address and either a check or money order, in
the amount of $10.00, which includes all tax and shipping costs, within
the United States, to:
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Norman Patrick Morrison
Mail them to:
Norman Patrick Morrison
P. O. Box 1348
Union City, CA 94587
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More music from Norman Patrick Morrison
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Inspirations
for the songs off of this CD
Music Of A Baby’s
Cry:
This song was written
shortly after Norman’s daughter Carly Beth was brought home from the hospital
after her great ordeal from birth. It is a testimony of an actual miracle
when all the doctors had given up and determined Carly would only live
for a few more hours. Carly was diagnosed with pulmonary hypertension and
had as little as 6% oxygen going to her brain, through her blood stream.
After Norman and his wife mostly staying at the hospital every day had
decided to go home and sleep and come back with fresh clothes etc., they
received a phone call from one of the attending doctors who informed Norman
that Carly was dying and that if they wanted to spend the last few hours
with her that they should come down as soon as possible. On the way there
Norman prayed to the Lord telling Him that “no matter what happens I won’t
be bitter. I will still trust in You”.
When they arrived
at the hospital and prepared themselves by scrubbing down and putting on
gowns etc. they went in to face the crisis. They were greeted quickly by
the doctor who called them on the phone and another female doctor and there
was great energy and excitement going on. The doctor told Norman, “Mr.
Morrison, we don’t make those kind of phone calls unless we’re sure but
about 15 minutes ago, your daughter completely turned around and we have
just decided to take her off the life support, “el dope”, morphine, respirator,
100% oxygen, and put her in God’s hands”. When Norman was told that he
knew that the Lord had healed her right when he was talking to Him on the
freeway. He told the Lord in his heart “I will never be afraid to share
You with people ever again in my life”.
When he heard Carly
cry for the first time at home, it was then that he was inspired to write
the song. The sound of crying usually is not appreciated but in this case
it meant “life”.
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Dance, O Child
of God!
Norman reminisced
about when Carly as an innocent little girl, used to dance around the room
waiving a blue scarf in the air in worship before the Lord while he played
his songs before the Lord. This song is about the purity God gives us through
faith in Jesus Christ and the true liberty and joy of everlasting freedom.
This song is an attempt to express a picture that is in Norman’s memory
of a good and wonderful time. It also describes a joy Norman believes the
Lord Himself has when He sees His child or children so grateful and in
love and joyful about Him and His worthiness to be honored, worshipped
and praised.
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I’ve Got Faith:
When Carly was in
Teen Reach this was her favorite song. When you listen to the words you
can see why then and now this song is appropriate.
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Salvation and
Glory:
Norman is practicing
what he preaches in this song. Because there is going to come a day when
there will be no more tears. He’s dwelling on that day and using the words
to the song that will be sung in Heaven described in Revelations 19:1.
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Sleep Tight:
This song was written
after Norman’s daughter Carly had passed away. He was remembering Carly
laying next to him on the couch after getting up from bed being afraid
of the dark, but also in the present tense, referring to her as “being
asleep”. This song is really about the past, present, and future. It is
also about Norman as a godly father teaching her the promises of God through
faith in Jesus Christ which includes of how the believers in Christ who
are dead now but “in Christ” will be raised from the dead at His return
and be transformed and join the Lord. Also, using the same words except
referring to the “Son” instead of the ‘sun’ when he sings “before you know
it the sun “Son” will appear” and our heavenly Father instead of earthly
father and the “Light” (God is the Light) that in the end prevails over
darkness. There is another future meaning in the song that will be realized
one day of which Norman has chosen not to reveal.
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Forget Me Not:
When Norman was
up at the cemetery where Carly had just been buried making arrangements
for the contents of a gravestone and design he remembered a recent conversation
with Carly where she had told him that she wished that there was an actual
rose bush that produced blue roses. At that moment he was deciding on having
the Rose of Sharon” in a vine like form wrapping around a cross and having
an open blossom. This type of rose looks different that most roses that
we see when in full bloom. Norman asked the representative if it was possible
to have the rose be blue instead of red. The lady said “sure”. She suggested
that they go drive up to a site where a flower had been put upon a gravestone
with the blue color. So they went and took a look.
When they returned
to the office in the car, upon stepping out of the car Norman looked down
as saw a synthetic bluish purple flower lying right next to his foot. The
petals looked exactly like what the face of the final product was to look
like. He expressed “wow this is kind of weird”, and the representative
suggested that he should save it. So he did. Then a short time later while
Norman and his wife Julia were watching a program on television about garden
flowers they were showing this beautiful blue flower that actually looked
exactly like what the final product was to look like on Carly’s grave and
yet looked exactly like the flower that Norman had found at his foot when
stepping out of the car. Then the person on the program stated the name
of the flower to be “Forget Me Not”. Norman will never state to anyone
emphatically that Carly had communicated to him, but the song is his interpretation
of the whole event and his answer to her as well as his constant proclamation
of God’s promises. Interestingly, the stone worker mistakenly put two flower
blossoms on the stone instead of the intended single rose blossom.
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God Showed His
Love:
Norman kept finger
picking this little part that you hear when he first comes in singing the
chorus "God showed His love toward man through the cross. But before he
had the words for this song he kept picturing Jesus carrying His own cross
with determination. He would imagine Jesus falling and yet getting back
up again with all of the strength that He had left after being beaten and
tortured. Realizing how we can know what Jesus did for all mankind, yet
easily, daily forget, or be distracted by other things, Norman felt compelled
to really stress that God the Father made a gesture of love never to be
equaled ever again by this willful sacrifice. Jesus, being God’s only begotten
Son, expressed His Father’s love to the world.
Norman was thinking
how he felt in losing his youngest daughter to an accident and then thought
about the feelings of our God in allowing purposely the death of His only
begotten Son. And even worse how He feels when so many live their lives
as if nothing ever happened. When this is truly the most awesome, loving,
giving event of grace that man will ever experience!
The passion that
resonates in Norman's ‘preaching expression’ was done in tears as the realization
overwhelmed his spirit in the studio when he was supposed to perform a
harmony part to his lead voice. At that moment Norman was expressing God's
love with a plea for the opening of the ears and hearts and minds of so
many who are blinded by sin that God is still calling to this day to come
home.
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A Special Place:
Norman had an old
piece of music that he used to always play on the piano since he was a
teenager. When he attempted to put words to it he never was ever satisfied
that they were the “keeper” words for this song to be complete. About a
year before Carly had passed away she had expressed how she really missed
the old family piano which I had given to some friends when we had been
given another antique piano by some other friends of ours. Carly kept saying
“I have so many memories with that piano, I really miss it”. So Norman
one day told the friends that he had given the piano to what Carly had
been expressing and they insisted that he take the piano back. So Norman
gave away the antique piano to yet some other friends and had the old family
piano returned to the house.
Shortly thereafter
Carly was killed in the auto accident. About 3 weeks after her death Norman
had a dream. In this dream Norman was going to a place that he’s not sure
but he thinks that he has dreamt about many times yet there is a sort of
veil over his memory in some way, yet it’s as though he has known of this
place all of his life somehow. He describes what he saw in the dream. When
he went into the house he went directly to a downstairs bedroom and inside
there lay Carly sleeping in bed. He clearly could see that she was breathing
(representing
life) and noticed that her hair was its natural brown color rather
than it’s slightly bleached blonder color. He also sensed in his spirit
that there were six children in spirit represented there. Then as soon
as he woke up from the dream the words, “I go prepare a place for you.
I wouldn’t tell you this unless it was true” came into his mind, which
are Jesus words to His disciples. The next day Norman for some reason sat
at the old family piano and started playing the old tune from when he was
a kid. But this time he sang about the dream. He also took King David’s
line and attitude when David’s young son had died, in putting it into his
own words, “she will never come to me again but I will go to her”.
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The King’s Coming:
The development
of this song came as far back as the 1970’s. This is the music that Norman’s
daughter Carly used to dance to waiving the blue scarf. Ironically the
celebration in the song is about Jesus Christ’s promised second coming.
The horns that you’ll hear at first are representing the final trump which
is being portrayed
Be Still: Norman
wrote this song using scripture promises of God to remind himself or anyone
what God says to us. Scriptures that we should memorize and teach our children
and grandchildren of which when need be will come to remembrance by the
Holy Spirit during a trial and hopefully a steadfast trust in the Lord
will be the result.
When Norman was a
young boy his large family used to go camping a lot. On some of those long
trips his mom used to keep them all busy learning an old song “There was
a little Ford”. The way it worked was that after the first line you had
to repeat that line and then add the new line to it. Each time you repeated
the previous lines. So you had to remember what you had already sung. So
Norman thought this would be fun and at the same time anyone who would
take on the endeavor to sing the song would be forced to remember God’s
scripture promises while having fun doing it. His prayer is that some day
because some child of God had learned this song it would also serve as
an anchor when they need to hold on to its truth and message in a trying
time. It worked for Norman while grieving at the loss of his daughter.
Outside of the bridge all of the words are supposed to be God speaking
to us, His children. The 3 voices are representing the Trinity which was
TK’s idea.
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God Wants Us
To Be:
Norman’s always
going to preach a little when he thinks the audience will listen.
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Examine Me:
This song was the
last choice to be part of this project. It was also written after Carly’s
passing. Norman felt that it was appropriate because there are many thought
provoking songs on this album and he felt that we all need to understand
the need for daily repentance and honesty between the Lord and us. We fess
up and He pours out His grace. There’s nothing like a spiritual bath. We
always take the time and are honest about our need to take a shower or
bathe every day. Most of us can’t stand to be dirty. The same thing goes
spiritually. In fact it is more important than the former. If one reads
in 1 Chron 7:14 there is a great message that we all should learn. It reads:
“If my people, which are called by my name, shall humble themselves, and
pray, and seek my face, and turn from their wicked ways; then will I hear
from heaven, and will forgive their sin, and will heal their land.” KJV
Norman imagined King David on one of his many occasions where he got on
his face before the Lord and poured out his heart.
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I Forgive You:
This song really
is inspired by the Prodigal son story in Luke 15. It’s a clarification
using scripture that God has made provision for all mankind’s reconciliation
unto Him through the sacrifice of His only begotten Son by dying on a cursed
cross on our behalves. All the host of Heaven has a party of rejoicing
when a lost soul receives salvation through faith in Jesus the Christ and
the prodigal’s father celebrated the return of his son. Now the Holy Spirit
is calling us to take this awesome gift and come on home forever. It was
written when Norman’s daughter was a prodigal and he was dreaming of the
day or her return to the Lord, which per the testimony of Carly’s friends
took place a short time before her death. There is an urgency expressed
that today is the day of salvation and no one should ever wait till tomorrow.
As we know, tomorrow may never come and death without Christ is a final
situation.
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Oh I Trust You
Lord:
When Norman was
asked by Carly’s boyfriend to sing at her funeral Norman took this as being
from the Lord. He went down to his brother-in-law, Julian’s studio and
recorded the two songs that he had determined to play which were “Music
of a Baby’s Cry” and “The King’s coming” the night before the funeral.
While Julian was mixing the songs this little song came to Norman and he
began singing it along with “The Music of a Baby’s Cry”. He decided that
he would add it at the end as a statement that really resonates throughout
this project. Then during the producing of the album to Carly’s memory
Norman was listening to the song on cd and came up with the ending part
about “what an awesome God You are”. Etc. So that was added to the song.
On the morning of
the funeral Norman decided to pull up the words to the songs just in case
he might forget when performing. When he was scrolling on his computer
he came across the title “Oh I Trust You Lord”. He wondered hmmm what’s
this entitled the same as his new little song. When he clicked on it he
found that it was an entry into his journal 3 days after Carly’s birthday
the prior year. It was all about him having given his daughter over to
the Lord and trusting that He will keep her and how He was so trustworthy.
This entry made Norman understand how God knew all along the number of
days not only that Carly would have but all of us. Then at that moment
Norman looked down on the floor and saw a light blue box with 50 booklets
inside entitled “The Message of Hope”. In Carly’s favorite color no less!
Then Norman said, “Okay Lord, I’ve got the message”. So he brought those
booklets with him to the funeral and offered them to whoever felt they
wanted one. Needless to say they were all gone. God’s presence was at that
funeral in an awesome way! This was Carly’s going home party as she trusted
in the Lord for her salvation! And we celebrated God’s grace and mercy
Who allowed us to know Carly, know her love and to love her. That is why
the end is a celebration of God. He is our Shield and our Exceedingly Great
Reward!
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Music credits for the CD "Dance
O' Child Of God"
1. Dance Oh Child Of God!:
NPM: lead vocal, harmony vocal, acoustic guitar. TK: acoustic guitar, vocals,
piano, percussions. Christine Johnson: backing vocals Alex Quintana: drums.
Rich Starcher: saxophone, flute. Dave Segale: bass. Violinist to be named
later.
2. I’ve Got Faith : NPM:
lead vocal, acoustic guitar. TK: vocals, percussion, electric guitar, piano,
synthesizer. Randy Ekstedt: bass. Rich Starcher: saxophone. Christine Johnson:
vocals. Alex Quintana: drums.
3. Salvation and Glory: NPM: lead
& bv’s, 12 string acoustic guitar, TK: vocals, electric guitar, synthesizer,
drum programming, percussion. Matt Snelson: vocals. Randy Ekstedt: bass.
4. Sleep Tight: NPM: Lead
vocal, acoustic guitar. Terry Pettigrew: acoustic guitar. TK: drum programming,
synthesized strings, acoustic guitar, bass, vocals. Violin player to be
named later.
5. Forget Me Not: NPM: lead vocal,
acoustic guitar. Michael Herrera: classical guitar. TK: drum programming
& percussion, vocals, synthesizer effects, bass. Christine Johnson
& Indy Carter: backing vocals. Agnes Morrison (grandma): accordion.
6. God Showed His Love: NPM:
lead & backup vocals, acoustic guitar. TK: acoustic & electric
guitars, vocals, synthesized strings & effects. Randy Ekstedt: Bass.
Alex Quintana: drums. Christine Johnson: vocals. Matt Snelson: vocals.
Rich Starcher: saxophone.
7. A Special Place: NPM:
lead & backup vocals, piano, harmonica. TK: drum programming, vocals,
bass, synthesized strings.
8. The King’s Coming: NPM:
acoustic 12 string guitars, vocals. Alex Quintana: drums. TK: synthesizer
, percussion & effects, vocals, bass. Christine Johnson: vocals. Violin
player to be named later.
9. Be Still: NPM: acoustic
guitars, lead vocal. TK: midi bass, vocals, drum programming, classical
guitar lead. Michael Herrera: classical guitar.
10. God Wants Us To Be: NPM:
acoustic guitar & lead vocal.
11. Examine Me: NPM: Lead
and backup vocals & acoustic guitar, harmonica lead. TK: vocals, harmonica.
Drum programming. Rich Starcher: saxophone.
12. I Forgive You: NPM: 12
string acoustic guitar & 6 stringed acoustic, lead & back up vocals.
TK: piano, vocals. Synthesized strings, drum programming, percussion, acoustic
guitar. Dave Segale: bass. Alex Quintana: drums. Christine Johnson: vocals.
13. The Music Of A Baby’s Cry:
NPM: 12 string acoustic guitar, lead vocal. TK: bass, vocals, synthesized
strings, drum programming. Michael Herrera: classical guitars. Randy Ekstedt:
bass.
14. Oh I Trust You Lord:
NPM: lead & harmony vocals, 12 string acoustic guitar. TK: bass, vocals,
drum programming, synthesizer. Michael Herrera: classical guitar.
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